This project is inspired by the Royal Liver Building, a landmark clearly visible from the university campus. The building’s two Liver Birds—Betty and Bella—face the sea and the city, symbolizing protection over voyages and urban life, yet they never face each other. Their legend inspired my exploration of visibility, separation, and emotional connection in urban space. The site is physically and emotionally fragmented: trains run underground, the terrain rises from the waterfront inward, and high retaining walls isolate pedestrians, weakening social interaction and creating a sense of detachment.
The architectural concept draws from traditional Chinese temples’ column-centered spatial organization, the ancient idea of “four waters converging to a hall,” and Leonardo da Vinci’s self-supporting bridge design. This fusion shapes a layered, interconnected spatial layout. My proposal introduces diverse public spaces to reconnect people and place. A large sunken garden invites broad social gatherings, medium-sized circular seating supports small group interaction, and intimate “Abramovic rooms” foster emotional resonance through silent communication like eye contact. The twin wooden towers reinterpret the Liver Birds’ symbolism—not as opposing guardians but as elements in dialogue—offering a new narrative of connection and care at the city’s heart.
Gallery
Click to enlarge
